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…book. And then I guess, towards the end of it, you go into some other countries or contexts that are also marginal to the mainstream game industry and how those areas, you know, they need to be more investigated, obviously, but they also might feel a lot of similarities or overlap to the types of experiences and the types of, you know, culture and distribution around games that you’re describing. Since you published the book, is there any further like, emerging research in that area, or areas that you are particularly interested in pursuing?

Jaroslav: Um, yeah, I think…

…think about beyond, I guess, 20th century’s paradigm of how unions should work when we’re all working in one big Fordist factory to what does worker solidarity look like when we’re all in, when we’re all gig economy precarious self-contractors. And I think games provide a really fascinating space other organisations of other parts of the economy should be looking at to think about this. It’s a fascinating area.

Mahli-Ann: Absolutely, in particular just questions around alternative workplaces that have really grown in the last couple of years and it’s the working from home or hybridity. I guess…

…studying different kinds of paratextual material is so important to the way that we understand, and in the way that we think about historical digital games and the kinds of arguments that they are making about the past. So, I did that really through looking at different kinds of official communication. So, a range of different paratextual promotional materials that were created and published by Rockstar and communicated then through their official channels. So, through the sort of official Rockstar website, and the kind of Newswire, somewhat sort of almost bulletin board, I guess, section of the, the Rockstar website,…